| adriene jenik |

PERSONAL

Born 1964, East Orange, NJ

EDUCATION

1985 Certificate, Southampton University, Southampton.U.K., Critical Studies Program

1986 Bachelor of Arts, Douglass College, Rutgers University, New Brunswick, NJ,

magna cum laude, Highest Honors in English

1996 Master of Fine Arts, Electronic Arts, Rensselaer Polytechnic Institute, Troy, NY

COMPUTER/FILM/VIDEOGRAPHY - Director or Primary Creator

1988 "JESSE JACKSON in 1988," video short, (2:50, 1988)

1989 "SI, PODEMOS!" (YES, WE CAN!)," Coordinating Producer/Director/editor w/

Brigadas Companeras Video Collective, documentary video,

Spanish w/English subtitles (34:00, 1989)

1992 "WHAT'S THE DIFFERENCE BETWEEN A YAM AND A SWEET POTATO?"

Director/Co-Creator w/ J. Evan Dunlap, experimental video short (5:00)

1994 "LONGMAN," Producer/Director/Composer, computer animation (3:17)

"NAMESCROLL," Producer/Director, video short, (4:20)

"SICK AND TIRED of being SICK AND TIRED," Producer/Animator,

computer animated Series Open for DEEP DISH TV Healthcare

Series (00:60, 1994)

"ART=LIFE," interactive autobiography

1995 "Flash 1-25..." computer graphics

"WOMEN I LOVE," Artist/Programmer, infinitely expandable artwork

for floppy disk

"El NAFTAZTECA: Cyber-Aztec TV for 2000 A.D. ," (57:30)

Director/Editor, live interactive satellite broadcast (w/ writer/performer

Guillermo G?mez-Pe?a) Internet simulcast (November 22, 1994)

edited for broadcast (August 1995), Spanish/English/Spanglish/Other

1997 "MAUVE DESERT: A CD-ROM Translation," Writer/Producer/Director,

Programmer, Designer, CD-ROM translation of a novel by

Nicole Brossard, Version 1.0, published Spring 1997, English/French/Spanish

1999 "SKALALATATIONS" Producer/Director, digital video short (6:00)

"INVISIBLE INTERLUDES I: Santaman's Harvest" Producer/Writer/Director/

Graphic Designer/Programmer, Live Desktop Theater Production

"w-i-b" Producer/Director/Graphic Design, live Desktop Theater production

(performed w/Lisa Brenneis & others), September 15, 16

2004 "The Four Freedoms," producer/director/editor, digital video short (6:00)

in progress SPEC-FLIC: Distributed Speculative Cinema,

development site at http://jupiter.ucsd.edu/~specflic

COMPUTER/FILM/VIDEOGRAPHY - Collaborative or Collective

1985-1989 "PAPER TIGER TELEVISION," member of production collective, selected

productions contributed to: "BORN TO BE SOLD: MARTHA ROSLER

READS THE STRANGE CASE OF BABY S/M," ?THULANI DAVIS ASKS

WHY HOWARD BEACH?" "JOAN DOES DYNASTY," among others (28:00)

1986 "THAT'S WOMAN'S WORK!!!: TV BY AND ABOUT WOMEN"

Co-producer w/Martha Wallner, for DEEP DISH TV (58:00)

1992 "WELCOME TO THE TROJAN FAMILY: USC and The Rhetoric of Diversity"

Coordinating Director w/class 511B USC, documentary video, (28:00)

1996 DEPOP, Co-Creator with Vince Golveo, "This Issue Will Self-Destruct" Vol. 1,

No.1 webzine - http://home.earthlink.net/~depop/

1997 "waitingforgodot.com" (with Lisa Brenneis)

live Desktop Theater performance and adaptation of Samuel Beckett's classic

"Desert Tanka," daily poetry posting on WWW, throughout December

http://home.earthlink.net /~depop/indexdt.html

1997-present "Past, Present, Future" collaboration with Lisa Brenneis,

web-based multi-user learning environment

1998 "STUFF," Producer, performance for Television by Nao Bustamante and Coco Fusco,

Directors: Joseph Chun, Alec James and Hunter Rodriguez, Studio Video

V1S174 class, Spring (46:00, 1998), Spanish & English

2000 "In The World of Park" Producer/Co-Director/Graphic Designer/Performer, adaptation

live Desktop Theater production (w/Lisa Brenneis), January 18

"Stumping for Votes" Producer/Co-Director/Graphic Designer/Performer,

live Desktop Theater production (w/Lisa Brenneis), February 2

"Spectacled Society" Producer/Co-Director/Graphic Designer/Performer, adaptation

live Desktop Theater production (w/Lisa Brenneis), March 6

"Mom & Larky," Producer/Co-Director/Graphic Designer/Performer,

live Desktop Theater production (w/Lisa Brenneis), April 14

"Fattie Pattie" Producer/Co-Director/Graphic Designer/Performer,

live Desktop Theater production (w/Lisa Brenneis), May 3

"Heritage Pageant" Producer/Co-Director/Graphic Designer/Performer,

live Desktop Theater production (w/Lisa Brenneis), May 23

"First Night" Producer/Co-Director/Graphic Designer/Performer,

live Desktop Theater production (w/Lisa Brenneis, others), June 1

"Nancy's Dream" Producer/Co-Director/Graphic Designer/Performer,

live Desktop Theater production (w/Lisa Brenneis, others), June 4

"Lindsay's Flying Dream" Producer/Co-Director/Graphic Designer/Performer,

live Desktop Theater production (w/Lisa Brenneis, others), June 8

"Die 4 Dixie" Producer/Co-Director/Graphic Designer/Performer,

live Desktop Theater production (w/Lisa Brenneis, others), June 11

"Kitten Dream" Producer/Co-Director/Graphic Designer/Performer,

live Desktop Theater production (w/Lisa Brenneis, others), June 15

"River of Salsa" Producer/Co-Director/Graphic Designer/Performer,

live Desktop Theater production (w/Lisa Brenneis, others), June 18

"Thigh Dream" Producer/Co-Director/Graphic Designer/Performer,

live Desktop Theater production (w/Lisa Brenneis, others), June 22

"Mike's Dream" Producer/Co-Director/Graphic Designer/Performer,

live Desktop Theater production (w/Lisa Brenneis, others), June 25

"Shamen" Producer/Co-Director/Graphic Designer/Performer,

live Desktop Theater production (w/Lisa Brenneis, others), July 07

"Suicidal Downfall Dreams" Producer/Co-Director/Graphic Designer/Performer,

live Desktop Theater production (w/Lisa Brenneis, others), July 13

"LaBone's Dream" Producer/Co-Director/Graphic Designer/Performer,

live Desktop Theater production (w/Lisa Brenneis, others), July 13

"Connie's Dream" Producer/Co-Director/Graphic Designer/Performer,

live Desktop Theater production (w/Lisa Brenneis, others), Sept. 02

"Death Dance" Producer/Co-Director/Graphic Designer/Performer,

live Desktop Theater production (w/Lisa Brenneis, others), Sept 07

"Windy Dream" Producer/Co-Director/Graphic Designer/Performer,

live Desktop Theater production (w/Lisa Brenneis, others), Sept 07

"Bookmark Dream" Producer/Co-Director/Graphic Designer/Performer,

live Desktop Theater production (w/Lisa Brenneis, others), Sept 09

"Computer Club" Producer/Co-Director/Graphic Designer/Performer,

live Desktop Theater production (w/Lisa Brenneis, others), Sept 09

"Jack's Dream" Producer/Co-Director/Graphic Designer/Performer,

live Desktop Theater production (w/Lisa Brenneis, others), Sept 10

"Chicana Is?" co-Director, live Desktop Theater production (with REACH LA),

Nov. 30

"The City of the Just & the City of the Unjust" co-Director, live Desktop Theater

production (w/Lisa Brenneis and others), August 17

2002 ACTIVECAMPUS "Explorientation," co-Director, live community wireless event,

September 24-27 (w/ Bill Griswold and ActiveCampus research team)

in progress "Company Town," critical video essay on for-profit communities

(w/Lisa Brenneis)

MUSICAL PERFORMANCE/ VOICEOVER NARRATION

1988-89 "Snakes & Ladders," Percussion, Vocals, Keyboards, performances at

The Garage, The Knitting Factory, other venues, New York, NY

1998 "Music & Spoken Word by Elia Arce," Percussion. Washington Performing

Arts Society, Washington, DC, April 17-18

"Dig Your Own Cactus," CD, Percussion. Recorded at Rancho de la Luna,

Joshua Tree, CA

2001 "Biospheria: An Environmental Opera," voiceover, part of Adelaide,

Produced by the Overdevelopment and Opera Company,

Directed by Stephen Ausbury, recorded by Anthony Burr, March

"NomadHouse," live performance, Background Vocals, Water Canyon,Yucca Valley,

February 23

"An evening with Teddy Quinn," Background Vocals, Crossroads Caf?, Joshua Tree, CA

July 13

2003 "Rancho de la Luna 10th Anniversary weekend," live performance, Beatnik Cafe,

Joshua Tree, CA, May 23

2004 CHUCKWALLA FEST, live performance, Background vocals,

Institute of Mental Physics, June 2

SOLO SCREENINGS/EXHIBITIONS

1995 Toronto International Film Festival (Festival of Festivals), Toronto, CANADA

Governor's Conference on the Arts VII ?The Role of the Artist in the Digital Age"

Los Angeles, CA, February 21-22

InterActive Screen, Banff Centre for the Arts, Banff, AB, CANADA. July 21

Melbourne International Film Festival, Melbourne, AUSTRALIA, July 29

2nd Annual Digital Storytelling Festival, Crested Butte, CO

Virginia Film Festival, Charlottesville, VA, October 30-November 3

IMAGE et NATION, Montreal, QC, CANADA, November 22

American Film Institute, Los Angeles, CA, January 9

San Francisco Digital Media Center, San Francisco, CA, January 23

University of Southern California, Los Angeles, CA, March 18

Rochester Institute of Technology, Rochester, NY April 22

"Women Direct" Ithaca College, Ithaca, NY, April 23

OUTFEST ?97, Directors' Guild of America, Los Angeles, CA, July 19

3rd Annual Digital Storytelling Festival, Crested Butte, CO. September 18-21

Georgetown University, Lauinger Library, Washington, DC, October 30

1998 University of CA. Santa Cruz, Santa Cruz, CA, April 19

1999 Centro Nacional de Las Artes, Mexico, D.F., May 11

Digital Arts and Culture '99, Atlanta, GA, October 30

FutureScreen '99: AvAtArs/Phantom Agents, presented by dLux Media Arts

Powerhouse Museum, Sydney, AUS, Nov. 6

Baxter Hall Auditorium, Scripps College, Los Angeles, CA, Nov.17

2000 Emotional Computing, New Media Institute, Banff Centre for the Arts, Banff,

Alberta, CANADA, May 12

Center for Research in Computing and the Arts (CRCA), UCSD, La Jolla, CA, May 15

Arts Symposium, University of California, Santa Barbara, February 13

29 Palms Artist Open Studios, Twentynine Palms, CA, November 10-11

2002 "SPAM SLAMM," Borderhack 3.0, Las playas de Tijuana, Mexico, August 17

Morongo Basin Desert Arts Festival, Open Studios Featured Artist, Oct.25,26

SELECTED GROUP SCREENINGS /EXHIBITIONS

note: National/ International Paper Tiger/Deep Dish screenings not listed

1992 "Diversity University," sponsored by the Coalition for Diversity, USC,

Los Angeles, CA

"Cryptovestiphilia," Gallery D-301, California Institute of the Arts,

Valencia, CA

"Those Fluttering Objects of Desire," EXIT ART, New York, NY, May

"Lesbian Shorts Night" FACETS Multimedia, Chicago, IL, June

"Reel Affirmations 2" Center for Non-Profit Management,

Washington, DC Pittsburgh Filmmakers, Pittsburgh. PA

Austin Gay & Lesbian Film Festival, Austin, TX

LOOKOUT Festival, Downtown Community TV, NY, NY

"New Queer Cinema," Institute for Contemporary Art (ICA), London IMAGE/NATION,

Montreal, QC, CANADA

Hong Kong International Lesbian & Gay Film Festival, Hong Kong

Sixth MIX: New York Lesbian and Gay Experimental Film Festival, New York, NY

10th Annual Los Angeles International Lesbian & Gay Film & Video Festival, Los Angeles, CA

1993 Sixteenth San Francisco International Lesbian & Gay Film Festival, San Francisco, CA

Video Viewpoints, Museum of Modern Art, New York, NY

12th Annual Women in The Director's Chair International Film & Video Festival, Chicago, IL

"Biennial," Whitney Museum of American Art, in "Those Fluttering Objects of Desire"

installation, Shu Lea Cheang

Philadelphia Festival of World Cinema, Philadelphia, PA

MFA shows, Rensselaer Polytechnic Institute, Troy, NY

1994 "CYBERQUEER" group multi-media installation at the MIX Festival,

Anthology Film Archives, New York, NY

?Women Re-thinking Space" group show at the Shelnutt Gallery,

Student Union. Rensselaer Polytechnic Institute, Troy, NY

THE 90's TV series, Winter

1995 "A ROM of One's Own" panel, The New Festival, New York, NY, June

Border Film Festival, Mesilla, NM, September

Festival of the Americas, Charlottesville, VA, November

Austin Cinefest, Austin, TX

"Live Nude (Artists)" Benefit Event, L.A. Freewaves, Los Angeles, CA, April

Whitney Museum of American Art, "Lesbian Genders" curated by Chris Straayer.

April 17-May 26, 1996

A.T.A. Gallery, San Francisco, CA, May 20

MoCA/TC "L.A. Freewaves" Los Angeles, CA, August 9-11

mediawork 8, Art Center College of Design. Pasadena, CA, September 28

Cruzando Fronteras Film Festival, Washington, DC, October 10

Contemporary Arts Center, Cincinnati, OH, October 15

"MediaShock" MIX Festival, New York, NY, November

1997 ?Techno-Grrrls: Interactive CD-ROMs by Women," curated by Steve Seid,

Pacific Film Archives, Berkeley, CA, March

Free Speech TV, TV Broadcast, Boulder, CA, March 5

Int'l Multimedia Art Showcase, GOETHE-INSTITUT, Washington, D.C., May 29-31

"Science Friccion," Barcelona, SPAIN, May 29

El Centro Su Teatro, Denver, CO, June 12

Festival International Nouveau Cinema Nouveaux Medias, Montreal,QC, June 8

"Hollywood Premiere," Hollywood Premiere Motel, LA, CA, September 11,1997

"Zonen der Ver-Storung/ Zones of Disturbance," curated by Silvia Eiblmayr,

Steirischer Herbst 97, Graz, AUSTRIA, Sept/October

?Beyond Playing Games: Digital Dreamlands and other Real Places"

Mill Valley Video/New Media Festival, Mill Valley, CA, October 4 - 5

"Exploration in Memory and Modernity," 43rd Annual Robert Flaherty Seminar,

Digital Salon. Ithaca, NY, October 4 - 5

1998 "Out Inside," Sesnon Gallery, University of CA, Santa Cruz, Santa Cruz, CA,

January 14- February 21

?The Alumni Show," iEAR Gallery, Troy, NY, March 16-April 17

"LoveBytes" Digital Arts Festival, Sheffield, UK. April 23-25

European Media Arts Festival, Electronic Lounge, Osnabruck, GERMANY, May 6-10

VIPER ?98, Multimedia-Festival, Panorama Lounge, Luzerne, SWITZERLAND,

May 19-24

"Not On Any Map," Betty Rymer Gallery and The Film Center,

The School of the Art Institute of Chicago, Chicago, IL, Feb.19-April 7

1999 "Out Like a Lion" Feminist Film Festival, Philadelphia, PA, March 15

18th Annual Women in the Director's Chair, Chicago, IL, March 19-28

"Current Trends in Video Art," University of New Mexico, Albuquerque, NM,

June 15

Cinemedia, East Melbourne, AUSTRALIA, July 5

"Contact Zones: The Art of the CD-ROM" touring exhibition

Cornell University, Ithaca, NY, March 9-April 16

Hobart and William Smith Colleges, Geneva, NY, May 7-21

Centro de la Imagen, Mexico, D.F., MEXICO, June 24-July 31

The Virginia Film Festival, Charlottesville, VA, Oct.22-Nov.1

Siglo XXIX: Video Contemporaneo Mexicano, Museo de la Imagen y el Sonido de Sao

Paulo, Sao Paulo, BRAZIL, September 3

Muu Media Festival, KIASMA: Museum of Contemporary Art, Helsinki, FINLAND,

September 10- 18

Interstanding 3, Center for Contemporary Arts, Tallin, ESTONIA, Nov. 5-6

Canadian Currents, Goethe Institute, Toronto, CANADA, Nov. 13-15

2000 "Assemblage: The Women's Hypertext Gallery" collection of new media arts work

http://trace.ntu.ac.uk/traced/guertin/assemblage.htm

Taos Talking Pictures Film & Video Festival, Taos, New Mexico, April 14

UrbanFutures 2000, Gertrude Posel Gallery, Johannesburg, SOUTH AFRICA, July 1-30

Brussels 2000, Centre/Centrum Bruxelles/Brussel 2000, BELGIUM, September -

December

"SHIFT-CNTRL: Computer Games & Art" Inaugural Exhibition of Beall Center for Art &

Technology, Irvine, CA, October 16 - December 5

"REACH OUT: A Multimedia Extravaganza," REACH LA, Los Angeles, CA, Nov. 30

2002 "Interactive Arts Festival," Kwan Fong Gallery of Art & Culture, California Lutheran

University, Thousand oaks, CA, April 7-14

"Object/Concept," University art Gallery, UC San Diego, La Jolla, CA, April 5-June 16

"Parallels and Intersections: Art/Women/California 1950-2000"

San Jose Museum of Art, June 1 – October 13

2004 Powering Up/Powering Down, UCSD, Herbert Marcuse Gallery, Jan 30-Feb 1

Digital Salon, The ART Mission, Binghamton, NYMay 28-June 12

TEACHING EXPERIENCE

1990-92 INSTRUCTOR, Art School, California Institute of the Arts, Valencia, CA

1991 LECTURER, School of Cinema Studies, University of Southern California, Los Angeles, CA

1991-93 LECTURER, Dept. of Studio Art, University of California, Irvine, Irvine, CA

1994-95 ARTIST IN RESIDENCE, Summer Arts Enhancement Program, Hudson Valley Community College, Troy, NY

1996 LECTURER, Dept. of Studio Art, University of California, Irvine, Irvine, CA

LECTURER, New Media Program, School of Theater/Film/TV

University of California, Los Angeles, Los Angeles, CA

1996-97 FACULTY, Certificate Program in Graphic Design and Visual Communication,

University of California, Irvine, University Extension, Irvine, CA

1997-2001 ASSISTANT PROFESSOR, Computer & Media Arts, Visual Arts Dept.,

University of California, San Diego, La Jolla, CA

2001-present ASSOCIATE PROFESSOR, Computer & Media Arts, Visual Arts Dept.,

University of California, San Diego, La Jolla, CA

PROFESSIONAL EXPERIENCE

1986-88 Distribution Coordinator, Paper Tiger Television. NY, NY,

1987-88 Associate Producer, "What Does She Want? "Video Library Series of Independent

Video and Film by Women, for Video Data Bank

1988 Production Manager, "Color Schemes," video by Shu Lea Cheang

Associate Producer/Researcher/Cameraperson, "I Want Your Full Cooperation,"

video by Kathy High

1989-91 Video Coordinator, Los Angeles Contemporary Exhibitions (LACE), Los Angeles, CA

1990-91 Coordinator, SKID ROW ARTIST FUND, Los Angeles Contemporary Exhibitions (LACE),

Los Angeles, CA

1991 Associate Director, Ninth Annual Los Angeles International Gay & Lesbian Film & Video Festival,

Los Angeles, CA

1992-93 Researcher, ?The Theater of Refusal," Exhibition at University of California, Irvine Art Gallery,

Irvine, CA

1994-95 Associate Producer, "Witness to the Future," single channel videotape and CD-ROM by

Branda Miller (Voyager Co. 1996)

1995 Production Assistant, ?Our Secret Century," CD-ROM series authored by

Rick Prelinger (Voyager Co., published 1996)

1996 Freelance Digital Sound Editor, MacGraw-Hill Interactive, Interactive Arts

Los Angeles, CA

1997 Artistic and Technical Consultant, Turrialba Productions, Los Angeles, CA

Associate Engineer, Disney Online, N.Hollywood, CA

2000 Artistic and Technical Consultant, "SuperSchmoozio," Jack Waters, New York, NY

2000-present Artistic and Technical Consultant, "The DAWN Project" Carroll Parrott Blue, San Diego, CA

Live Camera, Set Design, "Democracy Now in Exile," Manhattan Neighborhood

Network, CUNY-TV, September 17-25

SELECTED ARTICLES & REVIEWS

note: National/ International Paper Tiger/Deep Dish reviews not listed

1992 Rich, B. Ruby, "Any sin but this," S.F.Weekly pp.21-23, June 17

Marks, Laura U., "Short Cuts," Village Voice p.70, September 15

"U.S. Film Project Based on Nicole Brossard Novel," The Globe and Mail. p. CS,

November 7

Putman, Wendy, "Another Night Out at Video In: Bifocal Sex," Angles. p.23, November

Gabriel, Gomez, "What a Little Glue Can Do," Afterimage.

Volume 20, No.4, pp. 6-7, November

1993 Marks, Laura U., "SEXUAL HYBRIDS: From Oriental Exotic to Postcolonial Grotesque,"

Parachute No. 70, pp. 22-26

Juhasz, Alexandra, "Our Auto-Bodies, Ourselves: Representing Women in Feminist Video,"

Afterimage. Volume 21, No.7, pp. 10-14

Rich, B. Ruby, "When Difference is (more than) Skin Deep,"

QUEER LOOKS Routledge, 1993, pp. 318-338

1994 Oishi, Eve, ?Uses of the Erotic: Sexuality and Difference in Lesbian Film and Video,"

Art Papers Volume 18, No.6, pp. 25-28

1996 Kirkham, Pat and Skeggs, Beverley, "Pornographies, Pleasures and Pedagogies in the U.K.

and U.S.," Edited roundtable interview with Constance Penley, Adriene Jenik and

Gloria-Jean Masciarotte, Jumpcut: A Review of Contemporary Media, Issue 40

Hoffie, Pat, " Adriene Jenik: Aspects of an Altered Reality," Artlink, Summer Soe, Valerie,

"Computer Girls," Afterimage, April

van Niekerk, Mike, "Cinema of Another Kind," The Age July 30

Goodman, Susie, "CD Cinema," The 7:30 Report Australian Broadcasting Corp.

public affairs program, aired July 30

Swain, Madeleine, "What's In the Glovebox?" OUTRAGE, July

Meltzer, Julia, "17 Ways to Resharpen the Cutting Edge," The Independent, July

Platts, Diana, "High Concept Multimedia Content on the Horizon"

Cyberstage Magazine, Fall

George, Kate, ?Shape-Shifting: From Inspiration to Expression"

transcript of Perspective Canada panel TAKE ONE: Film Journal, Winter

Straayer, Chris, DEVIANT EYES. DEVIANT BODIES: Sexual Re-Orientations in Film & Video

Columbia University Press

1997 Hess, John and Zimmerman. Patricia R., ?Transnational Documentaries: A Manifesto,"

AFTERIMAGE, Jan/Feb, pp.10-14

Gilson-Ellis, Jools, "Get Your Feminism off my Floppy: Seedy ROMs and Technical Tales,"

Acts of Passion: Sexuality. Gender and Performance

Marks, Laura U., "A Digital Ecriture Feminine?" paper on MAUVE DESERT,

Console-Ing Passions Montreal, QC, May 3

Rosenberg, Scott, ?Clicking for Godot," cover page article The Salon October 2, 1997

(http://www.salon1999.com)

Case, Sue-Ellen, "Eve's Apple, or Women's Narrative Bytes,"

Modern Fiction Studies Volume 43, no.3, pp. 631- 650, Fall

McIntosh, David, "Driving Mauve Desert: Borrowing, Translation and Navigation in Hypertext,"

FUSE Magazine Volume 20, No.5, pp.34-38, November

Mirapaul, Matthew, "2 CD's Retell Canadian Fiction," CyberTimes:

The New York Times on the Web December 4

1998 Czeglady, Nina, "Gardens of Forking Paths: A Journey into the CD-ROMs of Christine Tamblyn

and Adriene Jenik," n.paradoxa, Volume 2

Guertin, Carolyn, "Queen Bees and the Hum of the Hive: a Critical Overview of Feminist

Hypertext's Subversive Honeycombings," Percepticon issue 2

http://www.temporalimage.com/ beehive/index.html

1999 Curran, Beverly, "Obsessed by Her reading: An Interview with Adriene Jenik"

Links & Letters 6 (Barcelona, SPAIN), June

Curran, Beverly, "Re-reading the Desert in Hypertranslation," STYLE Magazine, Summer

Sutro, Dirk, "The Lounge" KPBS radio interview, October 7

Whitelaw, Mitchell, "Playing Virtual Dress-ups" ONSCREEN Magazine, November

2000 Neumark, Norie, "Making Contact With Artful CD-ROMs" Artful Media, IEEE,

January-March

UCSD-TV, "Conversations," Interview with Artist, February 8

Fudge, Tom, "These Days in San Diego: Art & Technology" KPBS radio, April 6

Bachand, Denis, "Hybridation et metissage semiotique. L'adaptation multimediatique"

Applied Semiotics/Semiotique appliquee, June 18

"Z", Revista Electronica de programa Avancado de Cultura Contemporanea

http://www.ufrj.br/pacc/z Rio de Janeiro, Spring 2000

Flanagan, Mary, "Navigating the Narrative in Space: Gender and Spatiality in Virtual

Worlds," Art Journal, Vol. 59, No.3

Abdulezer, Susan, "2010: A Literary Odyssey," Converge Online, Center for Digital

Education, June 2000

2001 Jamieson, Helen Varley, "from paper & ink to pixels & links" The Open Page,

January

Schreiber, Rachel, "Net.Art: Shedding the Utopian Moment?" LINK: A Critical Journal

on the Arts in Baltimore and the World, Issue 7, Fall

Hyslop, Keely, "UCSD artists visualize the conceptual," The UCSD Guardian, Volume

106, Issue 4, April 11

Fudge, Tom, "These Days in San Diego: Online Communities," KPBS-radio, July 22

Burgess Fuller, Diana and Salvioni, Daniela, eds., ART/WOMEN/CALIFORNIA:

Parallels and Intersections 1950-2000, University of CA Press, 387 pps.

Schechner, Richard, Performance Studies: An Introduction, Routledge, 304 pps.

2003 Mirapaul, Matthew, "Take That, Monica! Kapow, Chandler!" The New York Times,

Monday, March 2, 2003, B3

Larouche, Michel, ed, Cinema et Litterature au Quebec: Rencontres Mediatiques, XYZ

Editeur, 202 pps.

Paul, Christiane, DIGITAL ART, Thames & Hudson World of Art, Thames & Hudson,

London, 224 pps.

Bardiot, Clarisse, "Du Dispotif Theatral au Chat: Adaptations et Mutations de la Position

du Spectateur" published in Action on Image, National Laboratory of Scientific

Research (CNRS), November 30

Scholder, Amy and Zimmerman, Eric, eds., Re:Play: Game Design and Game Culture,

Peter Lang Publishing, pps. 268

Baard, Mark, "A Connection in Every Spot," Wired Magazine, Oct. 16

2004 Lambert, Joe, "Community Arts and Technology: Confessions of a Quiet Practitioner,"

Community Arts Network, Reading Room

PERFORM!, HORIZON ZERO, Issue 13.2

Forthcoming Gonzalez, Jennifer, "Interview w/Desktop Theater," VISUAL WORLDS,

eds. Lisa Tamiris Becker, John Hall, Blake Stimson, Routledge, 2005

PUBLICATIONS

1986 "Making a Cow Come Out: A Lesbian-Feminist Analysis of Gertrude Stein's

Experimental Poetry" The Douglass Symposium

1987 "Bird(s) Watching: Getting a Women's TV Network Off The Ground"

with Martha Wallner, Heresies#22, Nov/Dec

1988 "Distribution Matters: What Does She Want?" Screen, January

1990 "I grew up with hippie parents," commissioned by the L.A.Weekly. March

"All But the Obvious: Video/Film" with Liz Kotz, catalogue essay, LACE, Fall

1990-92 SCREAM BOX Co-editrix, Contributor (Issues #1,#2, #3)

1991 "What is a Paper Tiger, Anyway? ROAR! The Paper Tiger TV Guide to Media

Activism, PITV and The Wexner Center for the Arts

1992 "I grew up with hippie parents (excerpt)," The Utne Reader. July/August 1992

1993 "Censored at City Hall" with Meena Nanji, High Performance, Spring

1994 "Que es Paper Tiger?" Off Video, Spring

1995 Artist Pages, FELIX: A Journal of Media Arts Volume 2, #1, pps. 130-133

"Growing up with Hippie Parents,"

in Writing Off Center: An American Issues Reader for Composition edited by

Shelley Spear (major textbook for University freshman composition courses)

1997 "Late 20th Century American Tanka" Self-published book of poems, edition of 80

"Virtual Audience: Point of Entry," ARTLETTER, Volume 8, February

"The Early Years of Desktop Theater" Riding the Meridian, Women & Technology

http://www.heelstone.com/meridian/ March 15

www.desktoptheater.org

"Desktop Theater: Keyboard Catharsis and the Masking of Roundheads,"

featured cover article, The Drama Review, pp.95-112, 45:3,

published by NYU and MIT, Fall

"Indie Media Visionary," book review of Hand-Held Visions by DeeDee Halleck,

ReleasePrint, p.38, August

2003 "Artist Pages," Risk/Riesgo, FELIX: A Journal of Media Arts and Communication, Vol. 2,

No. 3, ed. Kathy High

LECTURES/ SYMPOSIA/ PANELS

1992 "An Introduction to Queer ?Zines," slide lecture at University of California, San Diego,

Alternative Media Class, June 1992

"She IS Seeing Things: A panel discussion on Lesbian Film & Video"

Panel moderator, S. F. International Gay & Lesbian Film Festival, June

"ImMEDIAte Action" A panel on Media Activism presented by Filmforum as part of

LA. FREEWAVES, October

"Does It Really Turn You On?: Lesbian Pornography and the Search for Visual

Excitement," audio/visual lecture at Emily Carr College of Art & Design,

Vancouver, B.C., November

"The Cries and Scrawl of the ?Zine Scene," lecture at VIDEO IN, Vancouver, B.C., November

1993 "Independent Video & Film Exhibition" panel discussion,

California State University, Los Angeles, CA, March

"Does It Really Turn You On?: Lesbian Pornography and the Search for Visual

Excitement," audio/visual lecture Console-ing Passions: Feminism. TV and Video

Conference at USC, Los Angeles, CA., April

1994 "Does It Really Turn You On?: Lesbian Pornography and the Search for Visual

Excitement," audio/visual lecture Rensselaer Polytechnic Institute, April

1995 "Perspective Canada" panel, Toronto Int'l Film Festival, Sept.

"MAUVE DESERT: a work-in-progress" lecture/screening for CyberArts class at

Rensselaer Polytechnic Institute, December

1996 "Cross-talk" panel, Melbourne International Film Festival, July

1997 "Women's Brains and What Can Be Done With Them: Feminist Digital Media,"

Ithaca College, April 24

"Interactive Storytelling" Panel at Women and the Art of Multimedia

Nat'l Museum for Women and the Arts, Washington, DC, May 30, 1997

?Tall Ships: Gary Hill" Roundtable Discussion, University Art Gallery,

University of CA, San Diego, November 17

1998 "Process and Product: Collaborating and Technology" panelist, College Art Association,

Toronto, ONT., February 28

"A Crooked Path to Here," lecture, UC Santa Cruz, Santa Cruz, CA, April 20

"Computing Culture: Defining New Media Genres" introduction to symposia,

CRCA at University of CA, San Diego, La Jolla, CA, May 2

"Virtual Audiences: Point of Entry," panel, Foundation for Art Resources (FAR) at

LACPS, Los Angeles, CA, August 2

1999 "Live From Any Space Whatever," Interactive Frictions, The Annenberg Center

for Communication, University of So Cal (USC),Los Angeles, CA, June 4

"Hurry Up and Get Where?" Keynote Speech, Crisis Carnival, San Diego State

University, San Diego, CA, October 8

2000 "Desktop Theater: a Model for Play" Performance Studies International (PSi 6), Tempe,

Arizona, March 12

"Desktop Theater: come join us!" University of Witwatersrund, Johannesburg, South

Africa, July 23

"The Early Years of Desktop Theater," International Comparative Literature Association,

XVII International Congress, Pretoria, South Africa, August 17

"Virtual Lecture" First Symposium on South African Visual Art and the Web,"

Rand Afrikaans University, September 8

"Desktop Theater" demonstration, "Digivations: Global Digital Technology and Media

Conference, Santa Barbara, CA, September 24-26

"Desktop Theater Now" part of Under The Grid: Perspectives in Public Space lecture

series at Cal State University San Marcos, San Marcos, CA, Nov. 1

"Computing & the Arts: Careers and Graduate Study," panelist, Career Services Center,

UCSD, February 7

"Cultivating Utopias," moderator, panel in conjunction with Biospheria: An

Environmental Opera, Center for Research in Computing & the Arts (CRCA),

UCSD, March 10

"HyperScreens: Expanding Spaces for Performance," panelist, at Constructing

CyberCulture(s): Performance, Pedagogy, and politics in Online Spaces,

University of Maryland, April 6-7

"Two Digital Artists from Mexico City," host, presentation, UCSD, Visual Arts Facility,

April 16

"Desktop Theater Workshop," San Diego High School, San Diego, CA, May 14-28

"High Performance," panelist, California Digital Arts Workshop, American Film

Institute, Los Angeles, CA, August 18

"Interactive Arts Festival" panelist, panel discussion, California Lutheran University,

April 9

"Body Ploy: a memior of disintegration?" moderator, Art in Motion (AIM) panel at

AIM III: Luna Park, University of Southern California and the Museum of

Contemporary Art, Los Angeles, CA, April 19

"Artist's Lecture," University Art Gallery, UCSD, La Jolla, CA, May 1

"Open Studios" Morongo Basin Desert Arts Festival, October 25 & 26

2003 "Active campus Explorientation," CAL-IT2 DAY@UCSD, September 24

Hewlett Packard Faculty Research Symposium, Palo Alto, CA October 17

2004 "Use, Misuse, and Appropriation" Panel Moderator, Powering Up/Powering Down,

Neurosciences Institute, January 31

"Performing Histories, Imagining Futures" Panelist, Powering Up/Powering Down,

Price Center Theater, February 1

"Coming Soon?SPEC-FLIC" UCSD Center for the Humanities, Institute of the

Americas, La Jolla, CA, March 10

CURATED PROGRAMS/EXHIBITIONS

~note: VideoLACE committee programming not listed

1990 "All But the Obvious...Film & Video" Co-Curator (w, Liz Kotz)

Los Angeles Contemporary Exhibitions (LACE), Fall/Winter

1991 "Ninth Annual Los Angeles International Gay & Lesbian Film & Video Festival,"

Video Programmer, Spring/Summer

1992 "Putting the *TV back in TV," CURATOR for SPEW 2 National ?Zine Convention,

Los Angeles Contemporary Exhibitions (LACE), Feb. - March

"About Sex: 180 degrees of Lesbian & Gay Video" Co-Curator

(w/ Thomas Allen Harris) Video In, Vancouver, B.C., Fall

1993 "Eleventh Annual L.A International Gay & Lesbian Film & Video Festival,"

Video Programming Committee, Spring/Summer

"Framing Power, Inspiring Resistance" CURATOR, Crossing the Boundaries II.

Cross-Disciplinary Graduate Student Conference, SUNY Binghamton, Fall

1998 L.A. Freewaves Programming Committee, Los Angeles, CA

2002-03 San Diego Indymedia Movie Nights, monthly public screenings, March 02 – Jan 03

2003 "Unikaatuatiit (Storytellers)" Curated by Yudi Sweraj and Adriene Jenik,

Visual Arts Facility, UCSD, La Jolla, CA, May 2-3

AWARDS, GRANTS & RESIDENCIES

1982-86 Douglass Scholar

Golden Nugget Scholarship

Phi Beta Kappa

1988 Artist-in-Residence, Experimental TV Center, Oswego, NY

1992 Faculty Career Development Award, University of CA, Irvine

1993 Artist Fellowship, Art Matters, Inc.

1994 Founders Award, Rensselaer Polytechnic Institute

1994-95 Lesbian Student Achievement Award, Uncommon Legacy Foundation

Graduate Student Fellowship Award, Rensselaer Polytechnic Institute

1994-96 Jacob J. Javits Graduate Fellowship

1995 ?Telling Stories/ Telling Tales" Media & Visual Arts Residency Banff Centre

for the Arts, Alberta, CANADA, Fall

Certificate of Merit, Mesilla Valley Film Festival

"Best Experimental Work" 1996 Austin Cinefest

Rockefeller Foundation, Film/Video/New Media Fellowship

Academic Senate COR Grant, UCSD

Academic Senate Travel Grant, UCSD

2000 Academic Senate Travel Grant, UCSD

Hellman Fellowship

Academic Senate COR Grant, UCSD

2001 California Digital Artists Workshop & Summit, selected artist, American Film Institute

Franklin Furnace, The Future of the Present, Residency, New York City, September

2002 REACH LA, Los Angeles Cultural Affairs Grant, Desktop Theater Workshop

2003 Hewlett Packard Educational Research grant (Co-P.I. w/Bill Griswold)

Microsoft Research Summer Fellowship

Academic Senate COR Grant, UCSD

2004 Who's Who of American Women

SERVICES TO THE FIELD

1989 Grant Panelist, Long Beach Museum of Art, Video Access Program

1990 Grant Panelist, American Film Institute/ Independent Filmmaker Program Grant Panelist,

Western States Regional Media Arts Fellowships

Grant Panelist, City of Los Angeles, Cultural Affairs Dept., Media Arts

1990-present Advisory Board, Lyn Blumenthal Memorial Foundation for Independent Media

1991 Grant Panelist, Long Beach Museum of Art, Open Channels

1991-92 Member, Coordinating Committee, SPEW 2 (Nat'l ?Zine Convention), LA, CA

1993 Volunteer, Nat'l Black Gay and Lesbian Leadership Conference Grant Panelist,

Media Artist Fellowships Program, Media Alliance

1994 Volunteer, Nat'l Black Gay and Lesbian Leadership Conference

1997 Nominator, Rockefeller Foundation

1997-present Founder, Smokey Johnson Memorial Center for Research & Development

Independently run Artist Residency Program, Twentynine Palms, CA

1998 Nominator, Rockefeller Foundation

Volunteer, Joshua Tree National Park, Natural Resource Assistant

1999 Community Advisory Committee, Sushi Visual and Performing Arts

Art & Technology Project

Digital Artist Advisory Group, Creative Capital, Inc.

1999-present Advisory Board, Center for Research in Computing and the Arts (CRCA)

2000-2003 Advisory Committee, Colloquium Series on Information Technology and Society, UCSD

2000-present Executive Committee (elected position), Lyn Blumenthal Memorial Fund for Independent

Media (LBMF)

2001-present Policy Advisory Board, University of California Institute for Research in the Arts

(UCIRA)

2003-present UCSD Campus Representative, UC Digital Arts Research Network, UCDARNet

2003 Panelist, Rockefeller New Media Fellowships

PROFESSIONAL AFFILIATIONS

member International Interactive Communications Society (IICS)

Association of Independent Film and Videomakers, Inc. (AIVF)

Visual Studies Workshop

Southern Poverty Law Center

KCRW, KPBS - public radio/TV in Southern CA

California Lawyers for the Arts

College Art Association

National Campaign for the Freedom of Expression (NCFE)

Computer Using Educators (CUE)

Palace Developers Group (PDG)

San Diego Independent Media Center (sdimc), Founding Member

Morongo Basic Cultural Arts Council

Desert Survivors

Faculty Researcher, Center for Research in Computing and the Arts (CRCA)

Affiliated Researcher, California institutue for Telecommunications and Information

Technology -- CAL(IT)2

COLLECTIONS

San Francisco Community College, San Francisco, CA

City College of San Francisco, San Francisco, CA

Atlanta College of Art, Atlanta, GA

Carleton University, Ottawa, ONT

Georgetown University, Washington, D.C.

University of VA, Charlottesville, VA

The Open University, UK

School of the Art Institute of Chicago, Chicago, IL

University of Michigan, Ann Arbor, MI

Maryland Institute College of Art, Baltimore, MD

New York University, New York, NY

St. Olaf College, Northfield, MN

Seminole Community College, Sanford, FL

Johns Hopkins University, Baltimore, MD

University at Buffalo, Buffalo, NY

University of Oklahoma, Norman, OK

University of California, San Diego

University of California, Irvine, Irvine, CA

University of California, Riverside

University of California, Los Angeles

University of California, Santa Cruz

California State University - San Marcos, San Marcos, CA

University of North Carolina, Chapel Hill, Chapel Hill, NC

York University, Toronto, Canada

Hampshire College, Amherst, MA

Ecole des Beaux Arts - St. Etienne, France

Ecoles des Arts et Technologie de l'Image - Poitiers, France

Kenyon College, Gambier, OH

University of Technology, Sydney, AUS

Musee du Jeu de Paume, Paris, FR

Librairie TEKHNE, Paris, FR

Athabasca University Library, Athabasca, AB, CANADA

Kenyon College, Gambier, OH

University of Technology, Sydney, AUS

Universitat Leipzig, Leipzig

Centre de Cultura Contemporania, Barcelona, SPAIN

University of Minnesota, Duluth, MN